Every writer begins with a spark — a reason to tell stories. Maybe you read a novel that shook you to your core. Maybe you lived through something you couldn’t describe in plain language. Maybe you simply couldn’t stop the characters talking in your head. Whatever brought you here, that spark matters.
Fiction isn’t just entertainment. It’s one of the oldest technologies we have for making sense of human experience.
Living Multiple Lives
John Gardner described fiction as “a vivid and continuous dream.” When we write it, we step into shoes we’ll never wear — we become the grieving father, the runaway teenager, the scientist on the edge of discovery. This isn’t escapism. It’s empathy training.
Writing fiction forces you to imagine what it’s like to be someone else entirely. That act — sustained over tens of thousands of words — quietly expands your understanding of the world.
The Lie That Tells a Truth
John Dufresne called fiction “the lie that tells a truth.” Our invented worlds aren’t real, but the emotions, fears, and desires inside them are. A story about a dragon siege can be a story about grief. A romance set in 1920s Paris can interrogate identity and belonging in ways a documentary never could.
This is fiction’s paradox: the further you travel from literal fact, the closer you can get to emotional truth.
Therapy, Activism, or Pure Joy
Writers come to fiction from every direction. Some write to process trauma, to understand what happened to them by watching characters work through something similar. Others write to imagine better worlds — to place people who are usually invisible at the centre of a story. And some write purely because it is joyful, because the act of making something out of nothing feels miraculous every single time.
None of these reasons is more valid than the others. Your reason is your fuel.
The World Needs Your Stories
There’s a story only you can write — shaped by the specific combination of your experiences, language, culture, and obsessions. Readers in Malaysia deserve stories that reflect their lives, their streets, their code-switching, their particular flavours of hope and heartbreak. That’s not a small thing.
Your Drill
Write a 300-word reflection on why you want to write fiction. Don’t edit. Don’t perform. Just answer the question honestly: Why this? Why now? Save it as the first entry in a writing journal you’ll keep for the next 30 days.
Written by
Redaksi Bacalah
Content Team — Bacalah